Rendra created a bridge from the anti-communist student activism of the late 1960s to the pro-Left activists of the 1980s and 1990s but he never crossed it
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When Rendra returned from three years study in New York in 1967 the innovations he introduced into modern Indonesian theatre signalled the wider impact he would have on Indonesian cultural and political life
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These 1979 Rendra postcards were illustrated by the New Art Movement painter Hardi, who had also attracted the unwelcome attention of the authorities
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